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Download Images: My Life in Film, by Ingmar Bergman

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Images: My Life in Film, by Ingmar Bergman

Download Images: My Life in Film, by Ingmar Bergman

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Review

“Bergman was the most influential of all filmmakers.” —David Denby, New Yorker“A great artist . . . A supreme modernist of world cinema.” —A. O. Scott, New York Times“An incomparably honest self-revelation of the artist.” —The New York Times Book Review

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About the Author

Ingmar Bergman was a Swedish director, writer, and producer for film, state, and television. His influential body of work dealt with bleakness and despair, as well as comedy and hope. He has few peers as one of the most renowned film directors in history.

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Product details

Paperback: 456 pages

Publisher: Arcade; Reprint edition (February 7, 2017)

Language: English

ISBN-10: 1628727012

ISBN-13: 978-1628727012

Product Dimensions:

6 x 1 x 8.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#403,322 in Books (See Top 100 in Books)

This book, begun in 1987 and published in Stockholm in 1990, was originally set up as interviews of Bergman by Lasse Bergstrom. The finished version omitted the questions and was an edited version of Bergman's comments. It's an important book for anyone drawn to Bergman's films. He discusses most of his major work. What I find fascinating is Bergman's discussion of how many of his films were based on seemingly small details or emotional hunches rather than more tightly structured abstract ideas. For example, "Cries and Whispers" (1972) began as an exploration of an image - women in white in a red room. This book is thus a valuable opening into Bergman's creative process.The introduction by Woody Allen, "The Man Who Asked Hard Questions," is a welcome addition to this paperback reprint edition. It would have been helpful to know that Allen originally published the piece in the New York "Times" after Bergman's death in 2007. The "Times" reprint can be Googled.

perfect

Ingmar Bergman uses this study of his films to act as autobiography, a companion to his earlier Magic Lantern; as a 'key' to the.great films--there's about a dozen or so, more than any other filmmaker--this is invaluable.

Great book by a great director, PAC

Fine writer, as well as film maker -- genius, no doubt.

Great product... great seller, hope to do nussines in the future... thanks :)

Quick and interesting read. I love his films, and it was fun to read his thoughts on the films he worked on and his relationships with his actors/actresses. He was so honest in his writing, so it's nice to know what he was thinking especially when it came to his own films.

My favorite movie is Bergman's "Wild Strawberries", but i was both bored and iterated with this book. I guess I might have been expecting too much, since Bergman is my favorite director, but the book just rambles and I am not sure he actually is believing what he is writing in the book. Bergman is a complex guy, and I'm sure if someone really understood him they could find something useful in this book - maybe. I might try and reread it in another 10 years.

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PDF Download Family and Civilization

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Family and Civilization

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About the Author

Carle C. Zimmerman was an eminent professor of sociology at Harvard University and the founder of the subdiscipline of rural sociology. Among his many other books are The Changing Community and Marriage and the Family: A Text for Moderns.  James Kurth is the Claude C. Smith Professor of Political Science at Swarthmore College, co-chairman of the Foreign Policy Research Institute’s Center for the Study of America and the West, and editor of Orbis: A Journal of World Affairs.

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Product details

Paperback: 352 pages

Publisher: Intercollegiate Studies Institute; 2nd ed. edition (January 25, 2008)

Language: English

ISBN-10: 9781933859378

ISBN-13: 978-1933859378

ASIN: 1933859377

Product Dimensions:

6 x 1.6 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#561,667 in Books (See Top 100 in Books)

We learn from other readers' comments that it has been distilled from 800 pages down to 200. There are some significant flaws that could and should have been fixed in this heavy-handed editing. Despite all that, the gems of thought in this book are bright enough to shine through some plodding and repetitive prose.Zimmerman describes a universal progression of family organization from the "trustee family" through the "domestic family" and finally the "atomistic" family" in three separate eras: classical Greece, Rome, and contemporary Western civilization.In the broadest terms, in a "trustee family" the current generation is seen as only a trustee for an entity that exists for all time. The trustee family fills the roles that will be taken over by the church and state at higher levels of civilization. Specifically, the trustee family administers its own justice, fights its own wars, and keeps family members in line. Trustee families existed until recently in the feuding Kentucky hills, and they are our plague as America fights in Afghanistan and Iraq.The "domestic family" is the bedrock of traditional civilization, a mother, father, and children who view themselves as integral parts of a civilization: church, state, civil society, and a family structure. The key feature of a domestic family is a commitment to bearing and raising children. The motive may be somewhat economic -- children are certainly useful in an agricultural setting -- but it is equally religious. The parents of a domestic family feel an obligation, usually religious, to bear and her children, and the society reinforces the message that children should obey their parents. The church's call is to "proles, fides, sacramentum" or children, fidelity, and the sacred. Zimmerman goes on at length about the ways in which the Protestant Reformation, the counterreformation, the Enlightenment and then the English, French, and Russian revolutions undermined the domestic family.The "atomistic family"evolves when civilization reaches a high plateau, in which a wealthy, literate class emerges. These intellectuals are skeptical of received wisdom, especially religion, and dedicate themselves to the pursuit of individual pleasures. The morality which held the domestic family together comes to be held in contempt. The individual reigns supreme, and the traditional constraints on divorce, abortion, adultery, homosexuality, all forms of what is otherwise considered sexual but privately, and of course childlessness fall away. The worthier citizens feel they have better things to do with their time than raise children, and the society has to depend on immigration and the fertility of minorities to replenish itself.The move from country to city is part and parcel of the transition from the trustee family through the atomistic family. The apparatus of government works best in urban environments. Children are an outright burden -- they cannot help support the family, and they cost money to feed, clothes, and educate. Government in urban areas is able to promise to support people -- free bread in Rome, free health care in modern Western societies -- in exchange for their tax money and a surrender of freedom. In every exchange the government borrows against the future. When there are enough people without children, that is, with no stake in the future, the government promises are less subject to critical analysis.Zimmerman was well schooled in the classics, and I am grateful to him for several obscure sources. The Latin lawyer Modestius wrote that law's function is to "command, forbid, punish and allow." That sounds like a good synopsis of modern American government's attitude, whether Republican or Democrat. He provides interesting opinions on the writings of Plutarch, Erasmus, Hobbes, Locke, Rousseau, Hume and others, from his unique perspective of family sociology.He provides some examples of retrogression. Progress got ahead of itself in the French and Russian revolutions, during which divorce at will became the standard, and after which the autocrats -- Napoleon and Stalin -- felt obliged to reinforce marriage so they would have some soldiers. Zimmerman was very pessimistic about the United States of 1947, failing to see the emerging baby-boom which would postpone his dire predictions by a quarter century.Still, however, after that quarter century the 1960s delivered every horror that he had predicted, and the ensuing decades have not diminished the plight of the family. The United States depends on massive immigration, legal and illegal, from the precise group that Zimmerman predicted -- Hispanics. Europe likewise depends on Muslims. Unlike our previous generations of immigrants, and those which populated Rome for five centuries, these appear unlikely to become assimilated into the dominant culture. They may indeed repopulate America and Europe, but they will not reproduce its culture.Zimmermann expressed a wan hope that his Harvard intellectuals would finally figure it out and embrace familism. We can say conclusively that that has not happened. Failing that, he projected that a religious revival would be necessary. We see something of a religious revival in the red state/blue state dichotomy. The one is somewhat Christian, the other scoffs at such primitive credulity. And there is mankind's problem. Thinking minds have difficulty embracing religion, but without religion we die out. A sweet dilemma.I'll close with a practical note on the book's shortcomings. For all that it is abridged to one fourth its original size, it is quite repetitive. The index is absolutely terrible -- most of the quoted authors and Latin terms to not appear in it. The essays by the conservatives do not add much. All that said, enough brilliance seeps through that I still give this book a very high rating.

Wonderful history, wow what an eye opener. Seems as though this should be a must ready for our representatives. Their policies, although with good intent continue to destroy the family.

Superb book - fast shipping. Very very nice.

It's amazing how far we as a sound country have drifty. This book is a well read type and enhances the importance of cherishing the value of family: between one man and one woman.

This book really gives you a great look into civilizations and how they would put family first to raise up their culture then when they are on top they allow for things like homosexuality and abortions into their civilizations and they collapse it has happened several times throughout history. We as western civilizations need to be cautious to this and not fall into the same pattern as past civilizations. Highly recommended read very informative.

This book captures what most all seem to fail to realize - that people NOT wanting to have children is the demarcation line for a civilization's demise. The history set forth in this magnum opus is so little spoken of. You will not be able to put the book down.

A superb survey of the family across history. I understand the full multi-volume edition is still out of print, but this abridged version is plenty scholarly, and very readable. It's important to remember while reading that this was written in the 1940s - and to realize how many of his predictions have come true!

Excellent.

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PDF Ebook Walt Disney: The Triumph of the American Imagination

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Walt Disney: The Triumph of the American Imagination

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Audible Audiobook

Listening Length: 33 hours and 20 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Books on Tape

Audible.com Release Date: November 16, 2006

Whispersync for Voice: Ready

Language: English, English

ASIN: B000KLPGP8

Amazon Best Sellers Rank:

My five star rating is for the book, not the subject pertaining to it. Neal Gabler has done a masterful job of presenting an incredibly well balanced synopsis of Walt Disney the person. I've read the negative Amazon reviews of this book, just for laughs. They hate the book because it would have caused them to change their opinions of Disney. Obviously they loved the man. Before I read the book I was a victim of the Disney Corporation spin machine that continues to this day to present its creator as the benevolent "Uncle Walt". I believed it. Now I see Disney for what he was. A visionary most certainly. Driving to perfection in whatever he attempted. But he was also a vile and contemptuous dictator in the studio. And something I never realized before, he never drew Mickey Mouse. A former employee of Disney's summed up the man beautifully when he said "Disney's true genius is in taking credit for other people's genius". So appropriate in describing Disney's climb to fame. He stepped over many people to get where he eventually got to. And he never gave those responsible for his fame the credit they so richly deserved.

Gabler's biography of Walt Disney is only for avid readers of history by examining all sides of this famous persons life, and at over 900 pages you have to be dedicated to press on into this well researched but ofttimes sad story.WARNING to die-hard D23 Disney fans... this is not the book you are seeking; because some of the personal struggles and business decisions you don't hear about are carefully described in these pages. The success of this luminary is covered, as are the dark times, the nervous breakdown, the bankruptcy, the anger... and I'll stop there for fear of hurting your feelings by going further into the darkness. Uncle Walt was a genius in every way... including troubled childhood which fueled his driven need to create the "Happiest Place on Earth."If you want to protect the happy Americana image of Walt Disney pick up the wonderfully cheerful biographies written by Bob Thomas or Pat Williams. They offer interesting stories of Walt, teach powerful life-application lessons about perseverance and creativity in a clever way that protects the fairy tale ending, while leaving out the dragons along the way.Hard reading, but explained a lot to me as a life-long resident of Orlando about how one mans driven desire really did change the world.

Having seen the terrific American Experience (PBS) two-parter on Walt Disney's life, I was interested to know more. This biography is very thorough and even handed, not skimming on criticism where it's due. We often forget that Walt Disney was a man before the name came to represent things. What we learn is that Walt Disney came from very little, never made it out of high school, and despite a few amazing successes, struggled to keep his studio alive following movies that failed at the box office. That those same movies are now considered classics that are integral parts of almost every Americans' childhood makes it almost unbelievable that they nearly ran Walt Disney out of the business of animation. All we know is the vast empire that exists today, but it's only because Walt Disney kept pushing forward in his desire to amuse and delight his inner boy in a way that also appealed to the broad need of most of us to have our stunted, immature selves likewise entertained with singing animals and amusement park fantasy lands. Neal Gabler does a great job capturing the boy, the man, the boy-man, and the man-child.Among fascinating personal details are Walt's distant relationship with his father, his somewhat naive idea of women including a marriage that seemed more convenient than passionate, but was faithfully maintained to the end of his life, Walt's warm and cold relationship with his brother and business partner Roy, and the death of his mother, for which he blamed himself.Gabler also touches on accusations often heard about Walt Disney of being a bad boss, a racist, and a Nazi sympathizer. Although he doesn't give Walt a pass, he does make sure to remind readers of the context of the times Disney lived in, and that there were no standards for animation and film workers as movies were just starting to find their feet in the 1920s and 30s.As a film history through one man's life, this book also reminds us that Disney innovated things we take for granted now-- things like sync sound in cartoons, color animation, camera animation stands that allowed depth of field, and storyboards. The world of movie animation would be very different if not for Walt Disney and the talent he fostered in his studio.

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